For booking or other inquiries contact
Celeste Miller
404-653-0951
404-625-4846 (cell)
email
Celeste Miller
]CURRICULUM VITAE
CELESTE CLAUDIA E. MILLER
Choreographer, Performer, Educator
Contact:
P.O. Box 5227, Atlanta, GA 31107
404-625-4846 (mobile) 404-653-0951 (land)
millerceleste@yahoo.com
POSITIONS HELD
Independent Choreographer, Performer
Atlanta, GA; New York, NY; Gloucester, MA 1973 -
Create, produce, perform solo and group choreography; design and
actualize Arts & Education and Dance in Community residencies
throughout the United States; guest artist for colleges, universities
and dance companies nationwide; consultant and panelist for non-profit
arts organizations and granting agencies.
Faculty, Jacobs Pillow Dance Festival
Beckett, MA 1985 -
Director and lead faculty for Choreographer's Lab, The School
at Jacob's Pillow, “Leading Communities to Dance”
Faculty, HOTSchools Summer Institute
Hartford, CT 2004 -
Lead faculty training classroom teachers and teaching artists
methods for dance as a learning tool for core curriculum subjects.
Resident Artist, MITS-Dance
Atlanta, GA 2004 -
Design and instruct a Fall and Spring semester Teaching Artist
training for staff; choreograph an annual work for faculty to
perform in Spring concert
Artistic Associate, Synchronicity Theatre
Atlanta, GA 2005 -
Movement design and movement coaching on theatrical productions
Guest Faculty, Department of Theatare and Dance, Spelman College
Atlanta, GA Fall Semester, 2004
Taught Choreography I
Co-Artistic Director, Liz Lerman Dance Exchange
Takoma Park, MD 2002- 2004
Continued work as Resident Artist (see below) with additional
responsibilities towards fundraising and administration of programs,
with a focus in the area of Education; served as Project Director
for the Deer Isle, Maine “Hallelujah” and Project Coordinator
and performer for the Los Angeles, California “Hallelujah”.
Resident Artist, Liz Lerman Dance Exchange
Takoma Park, MD 1999- 2002
Designed and directed the Professional Intern Program for dancers
developing skills in Community Arts Practice, - a nine month program
for four - six interns annually ranging in age from 20 to over
60; oversaw the local educational programs; developed community
relationships for the purpose of building local arts projects;
produced “Moving Jewish Communities II”; administered and served
as faculty for the Summer Institutes
Founder and Artistic Director, Celeste Miller & Co.
Atlanta, GA 1983 - 1989; New York City 1989-1993; Gloucester,
MA 1993-1999.
Fiscally responsible for this 501c-3 organization; developed and
administered programs; designed all projects, choreographed and
performed in collaboration with artists from other art forms
Faculty, Lee Harper Dance Studio
Atlanta, GA 1985-1988
Taught Modern Dance, Creative Movement, Pre-Ballet for ages 3-17
Founder and Faculty, Steppin' Out! Dance
Atlanta, GA 1985-1988
Maintained the studio and taught DansAerobics, Modern Dance, and
Choreography for Adults
Co-Founder and Core Artist, Theatrical Outfit
Atlanta, GA 1976 -1979
This was an ensemble theatre company that created original works
that combined theatre, dance and music and were performed in Atlanta
and then toured the east coast. In addition we designed community
outreach projects, primarily with prison populations.
Founder and Artistic Director, GRdance Theatre
Atlanta, GA 1973 - 1979
Fiscally responsible for this 501c-3 organization, ran a space
that included a dance studio and a 75-seat theatre, conducted
a full schedule of classes in beginning and intermediate modern
dance, created performances for the theatre with a company of
dancers, actors and musicians.
PROFESSIONAL STUDY:
Extended Studio study:
Florence Weed, ballet technique, Cresskill, NJ 1956 - 1965
Center for Modern Dance Education, modern dance technique, Hackensack,
NJ 1966 -1971
Alvin Ailey Dance Studios, modern dance technique, New York, NY
1969 -1971
Valentina Litvinof, modern dance and Stanislavski theatre methods,
New York, NY 1969 - 1971
Murray Louis & Alwin Nikolais, modern dance technique, improvisation
and composition, New York, NY 1976-1979
Merce Cunningham studios, modern dance technique, New York, NY
1980-83
College Study:
Goddard College, Fall 1971; Dance Professor: Mark Ryder
Study Abroad (five months)
London School of Contemporary Dance, London, England 1983
Additional Study and Workshops
Modern dance and composition: Jane Comfort, Blondell Cummings,
Daniel Nagrin, Eiko & Koma, Susan Eldridge, Bebe Miller, Tim Miller,
Kei Takei
Physical Theatre: Del Hamilton, Glenn Hilke, Zid Theatre of Amsterdam
Tango: Chan & Eugenia Parks, Tango Rio
Voice: Robbie McCauley, Elise Witt
Theatre: Alan Bolt, Bread & Puppet Theatre, Joe Chaikin, Jim Grimsley,
Del Hamilton, Stephen Kent, Robert Leonard
Women's Studies: Dr. Ann Kilkelly, Ph.D.
Creative Writing: Maria Irene Fornes, bell hooks, Pat Lowrey Collins
Visual Art: John Borstel, Marilyn Gottleib-Roberts, Carol Birch-Brown
Art as a Community Building Tool: John O'Neal, Dudley Cox, Ruby
Lerner, Alice Lovelace, Robert Leonard
Dance for Camera: Victoria Marks
Arts integrated Education: Kennedy Center Artist Training, Susan
McGreevy Nichols
Mentors:
Pearl Cleage (author), Dr. Ann Kilkelly, Ph.D., (Performance Studies
and Women's Studies, Virginia Tech University), Jim Grimsley (author,
Emory University), Jo Carson (author), John O'Neal (theatre artist),
Liz Lerman (dance in community)
FELLOWSHIPS, GRANTS, AWARDS
Fellowships
Maryland Arts Council, Solo Performer/Dance Fellowship,
Takoma Park, MD 2004
National Endowment for the Arts, Choreography Fellowship,
Atlanta, GA 1990
City of Atlanta Bureau of Cultural Affairs, Atlanta Mayor's Fellowship
in the Arts,
Atlanta, GA 1989
Grants
National Endowment for the Arts, Access to Artistic Excellence,
Theatre, 2005, Synchronicity Performance Group,
“To support the creation, development and production of a theatre
work through the Women and War project. This project will be
lead by co-artistic directors Rachel May, Michelle Pearce and
Hope Mirlis; and solo-artist/choreographer Celeste Miller will
assist in the development of the project.”
Atlanta, GA 2005
National Endowment for the Arts, Creativity, Dance 2002, Liz Lerman
Dance Exchange,
“To support New Works 2002, a program consisting of 6-8 premieres
by artists of the company and Home Hallelujah, a community-based
performance work choreographed by resident artist Celeste Miller.”
Takoma Park, MD 2002
Massachusetts Cultural Council, general operating support for
Celeste Miller & Co., Inc.
Gloucester, MA 1995-99
Georgia Council for the Arts, general operating support for Celeste
Miller & Co., Inc.
Atlanta, GA1983-1989
Fulton County Arts Council, Georgia, general operating support
for Celeste Miller & Co., Inc.
Atlanta, GA 1983-1989
City of Atlanta Bureau of Cultural Affairs, Atlanta, Georgia,
general operating support for Celeste Miller & Co., Inc.
Atlanta, GA 1983-1989
Awards
Suzi Bass Theatre Awards, choreography nominee for two productions,
“A Christmas Carol” produced by the Alliance Theatre and “A Long
Christmas Ride Home” produced by Synchronicity Performance Group
Atlanta, GA 2006
National College Choreography Initiative Award, Dance USA, Columbia
College,
Columbia SC, 2002
CalArts Alpert Award, choreography nominee,
Gloucester, MA 1999
Finalist New Playwrights Award, Massachusetts Cultural Council,
Gloucester, MA 1998
Award for Outstanding Collaboration, Massachusetts Alliance for
Arts Education
Gloucester, MA 1995
Artists Award, New England Foundation for the Arts, Gloucester,
MA 1994
Community and Artists Partnership Award, Alternate ROOTS/Nathan
Cummings Foundation,
Atlanta, GA 1993
Artists Award, Alternate ROOTS/Rockefeller Foundation/National
Endowment for the Arts InterArts program,
Atlanta, GA 1987, 1988
Most Distinguished Choreography Award for “Macbeth” produced by
Theatrical Outfit, Atlanta Circle of Drama Critics Award,
Atlanta, GA 1976
Artist in Residence, City of Atlanta
Atlanta, GA 1975
CHOREOGRAPHY
Commissioned Choreography
“Drowning in the Evidence”, a performance-keynote, visual design
by Sabina Angel, Jacob's Pillow Dance Festival 2006
“Sometimes Wisdom is Madness”, solo, Morris Museum of Art, Augusta,
GA 2006
“The Day I Break Open I Will Fly”, group, Morris Museum of Art,
Augusta, GA 2006
“A Garden is Simply”, group, original score by Normando Ismay,
Moving in the Spirit, Atlanta, GA 2006
“The Packable Child”, duet, Beacon Dance Theatre and Decatur Festival
for the Arts. Atlanta, GA 2006
“Just In!” group, Department of Dance, University of Georgia,
Athens, GA 2005
“S' jazzz”, group, Moving in The Spirit, Atlanta, GA 2005
“10 Epiphanies, 1,848 Revolutions, 77 Ways to Save Yourself”,
group, original music by Normando Ismay, commissioned by Dance
Program, Emory University, Atlanta, GA, 2005
“Angels Among Us”, group, Department of Theatre, Grinnell College,
Grinnell, Iowa 2005
“Snow White Retracted”, solo, Eko Dance Theatre, Banf Center for
the Arts, Banf, Canada 2003
“Homecoming 29203”, community dance project, Department of Dance,
Columbia College, Columbia, SC 2001
“Wild Thing!” Smithsonian's Discovery Theatre, created for Liz
Lerman Dance Exchange, Washington, DC 2002
“Homecoming”, a community celebration including a local high school
marching band, Ballet Folklorico dancers, native singers and drummers,
Habitat for Humanity builders, and community dancers. Music director:
Paul Barnes, Wagon Train Project, Lincoln, NE 2000
“Grandma's Peas, My Beethoven”, commissioned by Jeremy Alliger,
Boston Dance Umbrella, Boston, MA 1999
“Big Sky Spinning”, duet, collaboration with composer/pianist
Philip Aaberg, American Festival Project and Montana Presents.
Choteau, Helena, Great Falls, Chester, MT 1994-95
“”Go, Dad, Go! Visions on Route 66”, Local Motion Dance Foundation,
Tulsa, OK 1989
“Anti-Gravity”, solo, text by Jim Grimsley, visual design by Bill
Georgia, music by Brian Walker, Georgia Council for the Arts,
Alternate ROOTS/Rockefeller Foundation, New Music America/Miami,
Atlanta, GA and Miami, FL 1988
“True Stories from New Jersey”, commissioned by Professor Marilyn
Gottleib-Roberts, Miami-Dade Community College for Miami WAVES
Film and Video Festival, Miami, FL 1987
“Yeah, But Paradise”, commissioned by Professor Marilyn Gottleib-Roberts,
Miami-Dade Community College for Miami WAVES Film and Video Festival,
Miami, FL 1985
Documented Choreography
“The Annunciation, sort of…..” solo, premiere La Vision, Atlanta,
GA, 2006
“Cranky Angel”, New York premiere, Symphony Space, New York, NY
2005
“Transformational Diner” - solos and group works, in collaboration
with Normando Ismay, Dance Place, Washington, DC 2003
“When Small Birds”, group, premiere Columbia College, Columbia,
SC 2002
“Multi-Medea Idea”, solo, New Vaudeville Festival 2000, LaMama,
Etc., New York, NY 2000
“Wings to Fly, Ground to Walk”, a work for community and professional
dancers premiere Catholic University,Washington, DC, 2000
“Falling”, duet with musician, text and music by Normando Ismay,
premiere Alternate ROOTS 2003
“Juan Jose y Madgelena”, duet with Normando Ismay, written by
Normando Ismay, premiere Alternate ROOTS 2003
“Adios, Noñino”, duet with Normando Ismay, written by Normando
Ismay, music by Astor Piazzola, premiere Alternate ROOTS 2003
“Faith Swimming”, full length solo work, original score by Dawn
Pratson, premiere Gloucester Stage Company, Gloucester, MA 1997
“The Burning Lake”, full-length solo work, original score by Inge
Berge, premiere Gloucester Stage Company, Gloucester, MA, 1996
“The Nurses Project - a community based story project “to celebrate,
honor and give voice to the nurses of Cape Ann”, Dawn Pratson,
co-director, Gloucester Stage Company, Gloucester, MA 1997
“The Emergency of Minutes”, solo, premiere Highways Performance
Space, Santa Monica, CA1990
“A War Story”, collaboration with Zaron Burnett. Premiere Nexus
Contemporary Art Center, Atlanta, GA, 1987
“Lost & Found in America: Some of the Stories” a trilogy of solos
created between 1987-1990. Premiere Nexus Contemporary Art Center,
Atlanta, GA 1987-1990
Information prior to 1987 currently unavailable.
Choreography for Theatre Productions
“Voices Underwater” by Abi Basch , directed by Rachel may, produced
by Synchronicity Theatre, 7 Stages Theatre, Atlanta, GA 2006
“Tally Ho!: The unsentimental education of Besso Suarez”, directed
by Rachel May, produced by Synchronicity Theater, Emory University,
Atlanta, GA 2006
“A Long Christmas Ride Home” by Paula Vogel, directed by Rachel
May, produced by Synchronicity Theatre, Actor's Express, Atlanta,
GA 2005
“A Christmas Carol”, directed by Rosemary Newcott, produced by
the Alliance Theatre, Atlanta, GA, 2005
“White People”, by Jim Grimsley, directed by Del Hamilton, produced
by 7 Stages Theatre, Atlanta, GA 1989
“Something Entirely New”, produced by The Road Company, directed
by Robert Leonard, Johnson City, TN 1988
“Macbeth”, by William Shakespeare, directed by Del Hamilton, produced
by Theatrical Outfit, Atlanta, GA 1976
PUBLICATIONS
Authored Articles
Celeste Miller, “Concentric Circles: Traditional Forms in Contemporary
Performance”, Community Arts Network, 2003
Celeste Miller, “Student Assessment Questions: some questions
for middle school students after a music residency”, Community
Arts Network, 1996
Celeste Miller, “Residency Story: They Won't Dance, Don't Ask
Them”, High Performance #71, Spring 1996
Celeste Miller, “Birth as Initiation”, Mothering Magazine, Summer
1994
Celeste Miller, “Build it as you go”, High Performance Magazine,
January 1994
Celeste Miller, “An Artist's Proposal for Outreach”, reprinted
Association of Performing Arts Presenters Bulletin, Summer 1992
Celeste Miller, “An Artist's Proposal for Outreach”, Alternate
ROOTS Newsletter, Winter 1990
Celeste Miller, “The Conversation Always Goes Like This”, Atlanta
Journal Constitution, April 1991
Celeste Miller, “The Need for Identifying and Aesthetic”, High
Performance Magazine, Summer 1989
Celeste Miller, “I Was Asked To Write About Performance in the
Southeast”, Art Papers, January 1988
Celeste Miller, “We Start Working Together”, Catalyst Magazine,
1986
Celeste Miller, “The Ritual Burp”, Alternate ROOTS Newsletter,
1986
Author, other
Celeste Miller, “Dancing from the Heart: Life Stories - a workbook
for the creative exploration of the storyline of our lives”, 1993
Celeste Miller, “Heartache Heroine”, a play, 1983
Review and articles of work (selected)
Sheila K. Poole, Atlanta Journal-Constitution, September 7, 2005,
“Women Show Pain of Wars”
Mollie Wilson, American Theatre, September 2005, “Atlanta Women
Tell WAR STORIES”
Bert Osborne, The Sunday Paper, September 27, 2005, “Stories of
life and survival: 'Women & War' filled with gripping testimonies”
Wendell Brock, Atlanta Journal-Constitution, September 22, 2005,
“'War' Speaks to Hearts and Minds”
Chris Slattery, Gazette.Net, January 21, 2004, “Something 'Wild!'
Jeff Korbelk, Lincoln-Journal Star, 2002, “Home, Sweet, Homescape”
Edward Smith, The State, May 11, 2002, “Columbia College Dance
a Reason to Share, Shout”
Sarah Kaufman, The Washington Post, January 14, 2002, “Celeste
Miller's Passionate 'Medea'”
C. Logan, Poets, Artists and Madmen Weekly, 1999, “Lady of the
Lake”
Helen C. Smith, Atlanta Journal Constitution, 1999, “Miller's
Tale: The Burning Lake at 7 Stages”
Christine Temin, The Boston Globe, January 16, 1999, “Well-crafted
'Moves'”
Adrian Zupp, Spotlight, January 21, 1999 “Celeste Miller's one-woman
play will leave you thinking”
Jack Butterworth, Gloucester Daily Times,” Performance Artist
Makes Connections”
Gloucester Daily Times, June 19, 1997, “For nurses, art heals
many pains”
Marcia B. Siegel, Boston Phoenix, Dec 5, 1997, “Raconteueses:
Story time from Celeste Miller”
Skip Aschiem, The Boston Globe, “Miller's Danse Macabre to Motherhood
at Gloucester”
Skip Aschiem, The Boston Globe, December 4, 1997, “New dance works
by Celeste Miller”
Todd Olson, Bay Window, Boston, December 4, 1997, “Gloucester's
'talking dancer': Celeste Miller presents a rich, complicated,
Multi-Layered one-person show in Gloucester”
John Flautz, The Morning Call, Bethlehem, PA February 6, 1997,
“'Burning Lake' leaps into issue of how women cope”
Maggie Hall, The Tampa Tribune, June 17, 1994, “Down-to-earth
dancer tells moving stories”
Maggie Hall, The Tampa Tribune, June 19, 1994, “Stories take flight
in Miller's show”
John Firehammer, IR Montana, January 30, 1993, “Dancing Storyteller
Knows How to hold an audience's attention”
Esther Howell, Statesboro Herald. May 2, 1993, “Stilson students
discover artists are real”
Helen C. Smith, The Atlanta Journal/The Atlanta Constitution,
February 2, 1992, “Audience given insights into the emotions of
'Almost Asleep'”
Dan Hulbert, The Atlanta Constitution, February 7, 1992 “Rape
haunts dreamscapes in 'Asleep'”
John Fleming, St. Petersburg Times, March 20, 1992 “A Performer
gets her kicks from Route 66”
Helen C. Smith, The Atlanta Constitution, “Taking a Trip”
Maggie Hall, The Tampa Tribune, March 20, 1992, “Performer takes
show on a well-traveled road”
John Fleming, St. Petersburg Times, March 27, 1992, “A trip through
time, memory and emotion: Celeste Miller keeps her ode to the
road in motion”
Donna Perlmutter, Los Angeles Times, June 1, 1992, “Celeste Miller:
Route 66 Connects at Highways”
Victor Veldt, “The Fourth Annual Miami Waves Film & Video Festival”,
Art Papers, November 1991
Johns Job, The Austin Chronicle, October 19, 1991, “Celeste Miller:
Dancing with Words”
Todd Olson, Villager Downtown, December 1991, “Celeste Miller:
Storyteller of a Most Personal Nature”
Alan M. Kriegsman, The Washington Post, “Personal Priorities”
Russell Stamets, St. Petersburg Times, February 1, 1991, “Storied
Past and Present: Performance artist Celeste Miller deftly weaves
tales and dance into one enchanting evening”
Carrie Patterson, Aspen Daily News, June 21, 1991, “Don't See
Celeste Miller If You're Expecting Traditional Performance”
Beth Reichle, The Emory Wheel, October 1, 1991, “Dance brought
to life at Emory last weekend”
Lewis Segal, Los Angeles Times, March 12,1990, “'Lost and Found':
Miller's story at Highways”
Gerard Garza, Los Angeles Times, March 12, 1990, “Monologues in
Motion a Passionate Blending”
Anne Marie-Welsh, San Diego Chronicle, January 15, 1989, “Miller
fuses motion, text at the Sushi”
Dance Magazine, April 1989, “New Music America Festival”
Patrick Gafney, Creative Loafing, May 20, 1989, “Exuberant Despair”
Charles Wilmoth, High Performance, Summer 1989, “Celeste Miller,
Lost & Found in America: Some of the Stories”
Barbara Schrieber, Art Papers, January/February 1988, “A War Story”
Steve Murray, Southline, Oct, 1988, “Kiss Tomorrow Goodbye”
Helen C. Smith, The Atlanta Constitution, April 25, 1988, “Miller's
Provocative Show is a study in sociology”
Helen C. Smith, The Atlanta Constitution, October 15, 1988, “Celeste
Miller's Danced Tales Narrate a Life”
Steve Murray, The Atlanta Constitution, October 20, 1988, ” 'Anti-Gravity'
an Inner Journey Told in Poetry and Metaphysics”
Laurie Horn, The Miami Herald, December 5, 1988, “Standing in
line for dance, vocals”
Steve Murray, Southline, May 6, 1987, “War”
Susan Hunter, Atlanta Magazine, September 1986, “In Search of
Inspiration”
Art Papers, July/August 1986, “Yeah, but Paradise”
Susan Hunter, Atlanta Constitution, October 8, 1986, “Abstract
Movement heavy with emotion in 'Frame'”
Laurie Horn, “Miller Examines South Florida's Sense of Place”,
Miami Herald, November 26, 1985
Guillermo Perez, High Performance, #33, “Miami Waves” “Yeah, but
Paradise”
Articles in Process
Zelda Onstage: An analysis of the Zelda Project, a commission
by the Morris Museum of Art, Augusta, GA in collaboration with
Davidson School for the Performing Arts.
Dance as a Research Tool: with Michael Richter
The Arts as a Research Tool: Copper Hill Basin, TN: An analysis
of a residency in a small rural town inTennessee.
Books in Process
Dancing with our Textbooks on our Heads: Tools, anecdotes, interviews,
lesson plan breakdowns and the history of the Jacob's Pillow “Curriculum
in Motion” program
PRESENTER AND KEYNOTE SPEAKER
HOTSchools Summer Institute, CT 2004, 2005, 2006 (keynote 2004)
National Dance Educators Organization, Long Beach, CA 2006
Georgia Association for Health, Physical Education and Dance,
Jekyll Island, GA 2006
Georgia Council for the Arts, Spiraling Metaphor, Atlanta, GA
2004 (keynote)
Dance Educators of Georgia, Split Tree, GA 2004
Arts Literacy, Brown University, Providence, RI
Cultural Education Collaborative, Charlotte, NC 2001,2002
Young Audiences of Indiana, Summer Arts Institute, Indianapolis,
IA
Alabama Dance Summit, Cultural Arts for Education, Birmingham,
AL (keynote)
Education and Arts Summit, Virginia Tech University, Blacksburg,
VA
Maryland Artists Training Institute, Baltimore, MD
Montalvo Center for the Arts, Arts & Education, Montalvo, CA (keynote),
2004
The Art Factory, Arts & Education Training Conference, Augusta,
GA 2004, 2005
Institute for Education and the Arts, Santa Fe, NM 2004
Institute for Education and the Arts, Traverse City, WI 2003
PANELIST
National Endowment for the Arts, InterArts
Georgia Council for the Arts, Dance
Fulton County Arts Council, Dance
Atlanta Bureau of Cultural Affairs, Dance
Maryland Arts Council, Dance
Ohio Arts Council, Dance
Pew Charitable Trust, Dance
Maine Arts Council, Dance
ROUNDTABLE INVITEE
Soros Foundation: Assessment
Museum Loan Network: Museum as Catalyst for Interdisciplinary
Collaboration
National Overture of Education and the Arts: A discussion of Best
Practices in Education and the Arts
MENTORSHIPS
Professional mentoring of the following artists through Jacob's
Pillow Dance Festival, Curriculum in Motion program:
Nicole Liveratos, choreographer and dance educator, Atlanta, GA
2006-2007
Michael Richter, choreographer and dance educator, Los Angeles,
CA 2004-2006
Debby Karp, choreographer and dance educator, New York, NY 2004
Elizabeth Johnson, dancer, Liz Lerman Dance Exchange, Takoma Park,
MD,2003
Margot Greenlee, dancer, Liz Lerman Dance Exchange, Takoma Park,
MD 2002
Dawn Lane, choreographer and dance educator, Berkshires, MA, 2001
Krissie Marty, choreographer and dancer Washington, DC and Jo
Parkers, choreographer and dancer London, England 1999-2000
Melody Ward-Ruffin, Assistant Professor of Dance, Virginia Commonwealth
University, 199
Alison Gonzalez , Artistic Director New Orleans Ballet Association,
New Orleans, LA 1998
Krissie Marty, choreographer and dance educator, Grinnell, Iowa,
1997
SERVICE
Board of Directors, Atlanta Partnership for Arts and Learning,
Atlanta, GA 2005 -
Executive Committee, Alternate ROOTS, Atlanta, GA 1985-88
REFERENCES:
Sally Radell, Associate Professor of Dance and Director of Dance,
Dance Program, Emory University, Atlanta, GA
Ph.404-727-2835 email sradell@emory.edu
Dr. Ann Kilkelly, Professor, Community Arts, Dramatic Literature,
Dance & Movement, Women's Studies, Theatre Program, Virginia Tech
University, Blacksburg, VA
Ph. 540-231-7652 email akilkell@vt.edu
